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Paintings should not need text explanations. But these works were made in response to specific situations and events which represent the global crisis of human migration and dislocation. For millennia, humans have moved across the earth to survive. These paintings remind us of the heartbreaking consequences of the manufactured borders, both literal and figurative, which stop them.

There are no true borders but those between land and sea.

MATAMOROS PIETÀ

In 2019, Òscar and his little daughter Valeria drowned in the Rio Grande.
 
They had been forced by United States policy to stay in a makeshift camp of migrants in Matamoros, on the Mexican side of the river. Like generations of desperate people before them, they were attempting to cross the river to seek asylum in the United States.
 
This painting began in February 2020, when I first saw the cross, set up by someone in the migrant camp, in the grasses on the riverbank in Matamoros. That was Valeria’s first memorial. The grief that I felt, and the poignancy of the little cross, remained with me to fuel the development of this painting through many preparatory stages. Inclusion of the well-known photo of Òscar and Valeria came much later, and the Pietà later still. I finally started painting the canvas in April 2021, more than a year after I first saw the cross, and finished in June.
 
All of us are holy. Not all of us are blessed.

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FREE THEM (EL SANTO NIÑO DE ATOCHA)

Children attempting to cross into the United States from the southern border, either alone or separated from their families by government policies, have for years been detained in locked facilities throughout the country while awaiting their fate.
 
In this painting, you see the children’s prison tents of Homestead, Florida on the left, and Tornillo, Texas on the right. The traditional representation of the Santo Niño de Atocha, the Spanish child saint, is in the center. He is the patron saint of children, pilgrims (note his shell from the Camino de Santiago) and the unjustly imprisoned. Today’s refugees at our border are all of these. The left-hand boy behind the fence is from the documentary film Witness at Tornillo; the right-hand boy is from my imagination, my heart.
 
It took me more than a year to paint this response to the situation of refugee children at and within our border. You might see this as a painting of hope or despair, religion or anti-religion, accusation or understanding, or all of these. A painting is what you see it and feel it to be. I hope this work brings you something of value.

Click image to enlarge

VIDEO MEMORIAL: ÒSCAR AND VALERIA

This short video was made to commemorate the anniversary of the deaths of the migrant father and daughter who drowned attempting to cross the border to seek asylum. Renowned poet Martín Espada reads his poem about their deaths, speakers discuss the border situation and the nature of art, and the artist speaks about her painting Matamoros Pietà, with the music of Woody Guthrie in the background.

© 2022 Melissa Bowen Rubin. All rights reserved

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